Wild World, Montoro12 Gallery, Brussels 2024

These last works represent the desire to return to the origin of painting, that is, when men not yet able to write and perhaps not even speak, picked up a piece of burnt wood or colored earth and outlined on the walls of a cave the image of some great animal or a particularly exciting hunting scene. What drove them to do this? Maybe they did it to pay homage to the spirit of a powerful Mammoth, or out of good omen for the next hunt, to take courage?

The pandemic year, with all the horror, pain and difficulties, raised a general reflection on our lifestyle, increasingly distant from nature, its rules, its presence.

I wondered what I would draw on the walls of an improvised shelter, not knowing what to expect from the future, if I didn’t have certainties. And I realized that what I would want to leave behind is something that would do me well, bring me luck.

Just like our ancestors did.
So my canvases were filled with plants and animals, a world unfortunately more and more distant from our daily life.

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